FRESH MEAT
Jesse Armstrong and Sam Bain's comedy drama about a group of student house sharers was for me this year's gem. It's the brilliantly observed characters - not a weak link in any of the six who make up the main ensemble. Each and every one is strong with equally important storylines, and each get their moments. Most reviews have singled out Jack Whitehall's JP (summed up with his own line, the pathetic plea "Am I just the posh one who everybody hates?"). For me, I loved the unlikely friendship between Oregon (upper middle class girl, desperately trying not to be) and Vod (winging her way through Uni with a snarly attitude). And it'll be back for a second series.
THE FADES
What? How did this one get through? A fantasy horror drama from the BBC with proper gore, shocks and dark sense of humour. Jack Thorne's show is effectively a coming of age story - geeky Paul discovers a world of vengeful spirits and supernatural law enforcers, while trying to be a normal 17 year old. It doesn't help that he's also the chosen saviour of the world rushing towards an apocalypse. The Fades is big and ambitious, and pushes its BBC3 budget to the limit. When a show is this enticing and exciting; and can go from moments of comedy to moments of jaw dropping shock (and there's one in particular where I did just that), you've got to love it.
DOCTOR WHO
Well, I'm not going to dislike this one am I. Although this year Doctor Who went a bit marmite, with a story-arc that answered a few questions posed over the last two series, and threw up new ones. Some thought it too complex, or too clever, and it's true, you had to pay attention and make your own leaps of understanding. Yet this year also produced some of the best episodes it's ever attempted: 'The Doctor's Wife', 'Let's Kill Hitler', 'The Girl Who Waited', and 'The God Complex' were wonderful dramas with brilliant concepts.
HOLY FLYING CIRCUS
And finally, this one just popped into my head. The story of the controversy surrounding the release of 'Monty Python's Life of Brian'. The whole thing done in the style of Monty Python, down to John Cleese played as if he actually is Basil Fawlty, and Michael Palin's wife looking a lot like Terry Jones in drag. Funniest thing of the year.
